Jan 26, 2022
1 min read
Faith In Strangers
The beautiful dark spectrum of Andy Stott’s oeuvre
Andy Stott’s back catalog is a grey-to-black spectrum. Despite his astute imaginative smudgy dub knack, he cunningly avoids extremes. He seeks solace in the dreariest of corners. The fruit of Stott’s experimentations has no scent of experimentation left at its core. His soundscapes work like calculated packages of laconic post-mayhem. He does not…
